Why classical myth and autism?

Why classical myth and autism?

The idea for this project started to take shape at a meeting in 2008 with a special needs teacher, who mentioned that, in her experience and those of her colleagues, autistic children often enjoy classical myth. I began to wonder why this might be the case, and whether – as a classicist who researches, and loves, classical myth – there was anything I could contribute. I started this blog to report on my progress which was often sporadic until the launch of the Warsaw-based European Research Council-funded project Our Mythical Childhood (2016-22) to trace the role of classics in children’s culture.

My key contribution to the project is an exploration of classics in autistic children’s culture, above all by producing myth-themed activities for autistic children. This blog shares my progress, often along Herculean paths, including to a book of lessons for autistic children focusing on the Choice of Hercules between two very different paths in life. The image above, illustrating the homepage of this blog, is one of the drawings by Steve K. Simons, the book's illustrator, of a chimneypiece panel in a neoclassical villa at Roehampton in South West London. The lessons centre on this panel.

Wednesday 24 April 2024

Athena, being autistic and Dance Movement Therapy - and how these connected in Athens on International Autism Awareness Day 2024

Over the past few years, I have put out postings on - and for - international autism day/week/month: sometimes whole series of postings. Here is a sample one. I have done this while seeking to convey that autism - a way of being - is not just about a specific period of time. It's always. But I have also noted that this time in March-April allows an opportunity to reflect and share. 

On this year's Autism Day, I was in Athens. I should perhaps write a posting on this visit as it had a deep impact on me, including as I sat - for probably two hours - in my special place on the slopes of Mount Lykavittos as the light went down over the city.

On Mount Lykavittos - the rock in Athens dropped by Athena as the ancient local myth went

I was in Athens to give a paper at the Swedish Institute at Athens' ancient religion seminar on Athena as a dancer. This paper was extending research I've done over some years - well decades - into Athena by looking at dance and other types movement connected with this deity. 

Title slide of my presentation at the Swedish Institute - when I write up the paper, the content of the images should become apparent

What I had found as I was preparing the paper - as I had when I gave an earlier version at a conference in Coimbra last year - was just how far my research has been informed by what I have been doing on autism and classical myth. 

On the one hand, this is because everything I do is shaped by a neurodivergent way of looking at ancient evidence, as I have been increasingly realising over the years. 

It is also because of the paper's specific content. For what I proposed was an approach to ancient dance that is informed by Dance Movement Theory. 

This is a theory - and practice - that can be used by, and with, anyone whether neurodivergent or neurtypical. However, as with Dramatherapy (which I've written about previously on this blog, beginning here) there is particular potential for connecting with autism: for example, as a means for autistic people to explore autistic minds and bodies, and to open up new ways to envisage the body in space and how movement and cognition correlate. 

Slide from my presentation in Athens on Dance Movement Therapy as defined by the Association for Dance Movement Psychotherapy UK

As I was giving the paper, I stressed that I was very much just getting going with my research. I wondered, too, whether, as someone who is very much not qualified in Dance Movement Therapy, I should be doing anything more than expressing my curiosity about what it entails. 

Then something happened in the question time straight after the paper that made me think again.

I often find transitioning from a paper I've delivered to the discussion hard - I have given my all. I am exhausted. Answering specific questions can be a challenge. But one of the questions this time - from someone present online (this was a hybrid session) - turned out to be from someone whose connections with the topic floored me: in a good way.

For one thing, she explained that she studied at Roehampton, the university where I am now an emeritus professor and whose artefacts have been key to my autism work culminating to date here. More than this, she shared that she is a Dance Movement Therapist. There is more still: she explained that is a member of a Non Profit Organisation called the Athena Foundation.

So there was me arguing for Athena to be explored in relation to Dance Movement Therapy when Dance Movement Therapists already see the potential of Athena to encapsulate the therapy.

I am hoping that we will be able to connect! Watch this space: hopefully...

Soon I'll share other experiences during Autism Month, including a SUPERB paper I zoomed into by Cora Beth Fraser on autism, classics and labyrinths last week...

Sunday 25 February 2024

What I'm doing blogging-wise as a fellow at Durham sharing my Adventures in the Palace Green concerning classics in 19th-century young people's culture

I realise that I've been quiet on this blog for a month or so. Posts will come - especially now that my book is out, and the accompanying materials are soon to go live. And, in the meantime, let me stress that it's not that I haven't been busy blogging-wise. I've actually been more busy blogging than in quite a while - since the last time I posted each day for Autism Week a few years back. 

This is because I've started a new blog to share findings of a project that began earlier this month.

The blog is called Adventures in the Palace Green - and in this blog, I do what's 'said on the tin' - I share what I have been finding out in my time in the Special Collections reading room - the Barker Room - at Palace Green Library of the University of Durham where I'm currently a Barker Fellow.

Screenshot - in Flipcard mode - of my Adventures... blog to date

As a Barker Fellow, I'm doing something that might look different from my work on autism and classical myth. What I'm doing does however build from that work - and may very well shape further things that I go do on autism, young people and mythology. For the project concerns how young people - mostly young men - of the Long 19th Century experienced Classics. Thus it is a project that, like the autism and myth one, concerns where young people's culture connects with Classics.

It is my pleasure to share the blog with you. If you take a look, I'd love to hear what you think.

The blog can be found here

Monday 15 January 2024

Announcement: What would Hercules do IS OUT!

One thing I love about blogging is the opportunity it gives to disseminate research while it is in progress. And for years now I have been sharing my progress with a series of lessons for autistic young people based on the mythological experiences of Hercules. 

More recently, I have been sharing that this process has gradually been leading towards a moment, a thing, A BOOK... 

The book is now out. 

I write with the hardcopy version beside me. 

My book against my computer screen while I write this blog post

It exists - and it's been beautifully produced by the publisher at Warsaw. As well as being available via the publisher the pdf of the book is available online. Here is the link.

The resources linked with the book will be going live soon, once a few final tweaks have been made. We'll get them out as soon as possible - not least as teachers have been in touch already asking about them!

I'm so excited to be at this stage. It's an endpoint, but also a new beginning, where, for example, I'll be delivering and adapting the lessons myself and creating new ones. But for now, I'll pause and shares screenshots of information about the book and the endorsements that appear there and on the back cover of the book.

I'd love to hear thoughts about the book either via a comment to this blog or via email at susan.deacy@bristol.ac.uk


My book on the publisher's website

Reviews of the book on the publisher's website