Why classical myth and autism?

Why classical myth and autism?

The idea for this project started to take shape at a meeting in 2008 with a special needs teacher, who mentioned that, in her experience and those of her colleagues, autistic children often enjoy classical myth. I began to wonder why this might be the case, and whether – as a classicist who researches, and loves, classical myth – there was anything I could contribute. I started this blog to report on my progress which was often sporadic until the launch of the Warsaw-based European Research Council-funded project Our Mythical Childhood (2016-22) to trace the role of classics in children’s culture.

My key contribution to the project is an exploration of classics in autistic children’s culture, above all by producing myth-themed activities for autistic children. This blog shares my progress, often along Herculean paths, including to a book of lessons for autistic children focusing on the Choice of Hercules between two very different paths in life. The image above, illustrating the homepage of this blog, is one of the drawings by Steve K. Simons, the book's illustrator, of a chimneypiece panel in a neoclassical villa at Roehampton in South West London. The lessons centre on this panel.

Wednesday, 11 July 2018

Autism and classical myth pilot study: breaking the news and introducing the researcher!

This is the second consecutive posting sharing good news relevant to my autism and classical myth work. As with the previous posting, this one concerns what I am now seeking to do, namely to start taking the activities around the Choice of Hercules that I have drafted into schools, where autistic children will have an opportunity to try them out.

The news is this. The University of Roehampton has provided funds for a pilot study of the resources. The study will be conducted by Effrosyni (Effie) Kostara, who has just been appointed as the Research Assistant for the project. It is my pleasure to introduce Effie!

Effie has a background both in Classics and in Education. Her first degree is in Classical Philology from the University of Athens. She then went on to gain a master’s degree in Applied Pedagogy from Athens. She is currently a PhD candidate in Adult Education at the Hellenic Open University writing a thesis that draws on both of her fields. The title is: Teachers’ Training in the Educational Use of Ancient Greek Tragedy for the Development of Learners’ Critical Reflection.
Effie has published papers, and delivered conference presentations, on the importance of critical reflection in adult education. She also has a role in training teachers in the use of ancient drama as an educational tool. She is currently working on a project involving the connection of pedagogy with the ideas of Socrates and Aristotle.
Effie is the co-editor of a forthcoming Routledge volume on transformative learning and is the translator, into Greek, of Knud Illeris’ How we Learn. She participated in an event at Roehampton on diversity, inclusivity and classics in autumn 2017 and is the author of a report of the event, published just a few days ago in CUCD Bulletin.
Effie is deeply interested in the use of classical texts for the development of more inclusive teaching approaches. Her work includes using drama for teaching people from ‘marginalised’ groups including prisoners and addicts. She is about to start work, on Monday 16th July, in a different – though not unrelated – capacity at Roehampton as ERASMUS+ fellow to develop a module provisionally titled ‘Diversity in Ancient Greek Drama.’
I look forward to sharing further news about Effie and the pilot study!

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